Fahrenheit 9/11
Fahrenheit 9/11 is an award-winning documentary film by American filmmaker Michael Moore that presents a critical look at the presidency of George W. Bush, the "War on Terrorism", and its coverage in the American news media. The film holds the record for highest box office receipts by a general release documentary.
In the film, Moore contends that American corporate media were "cheerleaders" for the 2003 invasion of Iraq and did not provide an accurate and objective analysis of the rationale for the war or the resulting casualties there. The film's harsh attack on the Bush administration generated much controversy around the time of the film's release, including disputes over its accuracy.
The film debuted at the 2004 Cannes Film Festival in the documentary film category and was awarded the Palme d'Or (Golden Palm), the festival's highest award.
The film had a general release in the United States and Canada on June 23, 2004. It has since been released in 42 more countries. As of January 2005, the film had grossed nearly US$120 million in U.S. box office, and over US$220 million worldwide, an unprecedented amount for a political documentary. Sony reported first-day DVD sales of two million copies, again a new record for the genre.
The title of the film alludes
to Ray Bradbury's 1953 novel Fahrenheit 451, which describes a totalitarian dystopia
of society in the United States, and combines it with the September 11, 2001 attacks.
Content
summary
The movie begins by questioning whether friends and political allies
of George W. Bush at Fox News Channel tilted the election of 2000 by prematurely
declaring Bush the winner. It then questions whether the handling of the voting
controversy in Florida constituted election fraud.
Bush holding the
book Reading Mastery 2 on the morning of September 11, 2001.The film then segues
into the September 11, 2001 attacks, relying solely on sounds to illustrate the
chaos on that day. When the film resumes, it continues with scenes of the bystanders,
survivors, and falling debris of the World Trade Center. Moore notes that Bush
was informed of the first plane hitting the World Trade Center on his way to an
elementary school. Bush is then shown sitting in a Florida classroom with kids.
When told that a second plane has hit the World Trade Center and that the nation
is under attack, Bush continues reading The Pet Goat to the kids, and Moore notes
that he continued reading for nearly seven minutes.
The film then discusses the causes and aftermath of the September 11, 2001 attacks, including the 2003 invasion of Iraq. Moore then discusses the complex relationships between the U.S. government, the Bush family, the Bin Laden family, the Saudi Arabian government, and the Taliban, which span over three decades. Moore alleges that the United States Government evacuated up to 24 members of the Bin Laden family on a secret flight shortly after the attacks, without subjecting them to any form of interrogation. At the time, all other domestic and international civilian air traffic within the United States was grounded.
Moore moves on to examine George W. Bush's Air National Guard service record. Moore contends that Bush's dry-hole oil well attempts were partially funded by the Saudis and by the Bin Laden family through the intermediary of Bath. Moore alleges that these conflicts of interest suggest that the Bush administration is not working for the best interests of Americans. The movie continues by suggesting ulterior motives for the war in Afghanistan, including a natural gas pipeline through Afghanistan to the Indian Ocean.
Moore alleges that the Bush administration induced a climate of fear among the American population through the mass media. Moore then describes purported anti-terror efforts, including government infiltration of pacifist groups and other events, and the signing of the USA PATRIOT Act, which vastly expands government powers.
The documentary then turns to the subject of the Iraq war, comparing the lives of the Iraqis before and after the invasion. The citizens of Iraq are shown to be living relatively happy lives prior to the country's invasion by the U.S. military. The film also takes pains to demonstrate war cheerleading in the U.S. media and general "bias" of journalists, with quotes from news organizations and embedded journalists. The film then shows Bush's moment of "Mission Accomplished" on board the USS Abraham Lincoln, then alternating between media reports of increased casualties and Bush's comment to "bring 'em on".
The film then shifts its focus to Moore's hometown, Flint, Michigan. The economically hard-hit town's low-income neighborhoods were the prime target of military recruiters. The film introduces Lila Lipscomb, a woman presented as the proud mother of a U.S. serviceman. She expresses her strong sense of patriotism and support for the men and women in uniform.
Moore notes that, because the war was based on a lie, atrocities will occur, and shows footage depicting alleged U.S. abuse of prisoners.
Later in the film, Lipscomb reappears with her family after hearing of the death of her son, Sgt. Michael Pederson, who was killed on April 2, 2003, in Karbala. Anguished and tearful, she begins to question the purpose of the war.
Michael Moore trying to persuade members of Congress to
send their children to Iraq.Tying together several themes and points, Moore compliments
those serving in the U.S. military. He claims that the lower class of America
are always the first to join the army and defend the nation, so that the people
better off don't have to. He states that those valuable troops should not be sent
to risk their lives unless it is absolutely necessary. The film ends with a clip
of George W. Bush stumbling through a speech to express Moore's hope that the
American public will never be deceived again. The credits roll while Neil Young's
"Rockin' in the Free World" plays.
Moore dedicated the film to his friend that was killed in the World Trade Center attacks and to those servicemen and women from Flint, Michigan that have been killed in Iraq. The film is also dedicated to "countless thousands" of civilian victims of war as a result of US military activities in Iraq and Afghanistan.
The film won additional awards after its release, such as the People's Choice Award for Favorite Motion Picture, an unprecedented honor for a documentary.
The film also won four Razzies, not for its lack of quality but rather as a "joke" about the "actors". George W. Bush won Worst Actor, Bush with either Rice or "his pet goat" won Worst Screen Couple, Donald Rumsfeld won Worst Supporting Actor, and Rice and Britney Spears were both nominated for Worst Supporting Actress, with Spears winning the award.
Fahrenheit 9/11½
Since late 2004
there has been speculation about the making of a sequel to be called Fahrenheit
9/11½, with an estimated release date of 2008. However, there has been
no official announcement.
Originally planned for distribution by Mel Gibson's
Icon Productions, Fahrenheit 9/11 was later picked up by Miramax after Icon released
claims to the movie in May 2003, citing image conflicts while claiming the decision
to be apolitical. Miramax had earlier distributed another film for Moore, The
Big One, in 1997.
In May 2004, Moore announced that Disney (the parent company of Miramax) was blocking the distribution of Fahrenheit 9/11 in North America, citing a contractual clause expressly permitting it to do so in such cases as a prohibitive budget or explicit movie rating. Miramax executives stated that this was not the case. Disney stated that both Moore's agent (Ari Emanuel) and Miramax were advised in May 2003 that Miramax would not be permitted to distribute the film. Disney representatives claim that Disney has the right to veto any Miramax film if it appears that their distribution would be counterproductive to the interests of the company.
An unnamed Disney executive said that the film was against Disney's interests not because of government business dealings, but because releasing it would risk being "dragged into a highly charged partisan political battle" and alienating customers. Emanuel stated that Disney chief executive Michael Eisner requested that he back out of the Miramax deal, expressing concerns about political fallout from conservative politicians, especially regarding tax breaks given to Disney properties in Florida (e.g., Walt Disney World), where Jeb Bush is governor. Disney also has financial ties to members of the Saudi royal family, who were represented unfavorably in the film. Moore admitted later in a CNN interview that Disney had told him they did not want the film a year earlier, however, he had been advised by representatives that Miramax would continue to fund filming. Seemingly in approval, Disney continued to fund Fahrenheit 9/11 via Miramax throughout the remaining year of production.
Due to these difficulties, distribution for the film was first secured in numerous countries outside the U.S. On May 28, 2004, after more than a week of talks, Disney announced that Miramax film studio founders Harvey and Bob Weinstein had personally acquired the rights to the documentary from Walt Disney Co. after Disney declined to distribute it.
One month later, the major rights to the film reverted completely to Lions Gate Films, which acquired the film for domestic theatrical distribution in partnership with IFC Films and the Weinsteins' newly-formed company Fellowship Adventure Group (which handled its home video distribution via Columbia/Tri-Star Home Entertainment), beating out other studios such as Fox Searchlight and United Artists. Furthermore, a settlement was reached so that any profits from the film's distribution that went to Miramax or Disney would be donated to charity. The Weinsteins repaid their parent company for all costs of the film to that point, estimated at around $6 million. They also agreed to be responsible for all costs to finish the film and all marketing costs not paid by any third-party film distributors. Moore called the deal a "fair and equitable solution" and added that he was "grateful to them now that everyone who wants to see it will now have the chance to do so."
After
being informed that the film had been rated R by the Motion Picture Association
of America, Moore appealed the decision, hoping to obtain a PG-13 rating instead.
(The R rating requires anyone under the age of 17 to be accompanied by a parent
or adult guardian, otherwise they will not be admitted). Moore's lawyer, former
Governor of New York Mario Cuomo, was not allowed to attend the hearing. The appeal
was denied on June 22, 2004, and Cuomo contended that it was because he had been
banned from the hearing. Some theaters chose to defy the MPAA and allow unchaperoned
teenagers to attend screenings. The United States Conference of Catholic Bishops'
Office for Film and Broadcasting gave the film an A-III rating, meaning that it
was, in their judgment, "morally unobjectionable for adults" (this is
the mildest rating typically given by the organization to motion pictures that
are rated R by the MPAA). Moore commented that he was willing to "sneak anyone
in".
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