Verona Hotels

Hotels in the city of Verona are often required for tourists who require short term accommodation. Some tourists may want to stay at hotels that have a good view and a good range of prices. Some may want to stay at hotels that have a good reputation. Some may want to stay at hotels that are luxury or cheap.

Hotels in the city of Verona are often needed for tourists who need a place to stay. Some may want to stay at hotels that have access to parking facilities.

Verona is one of the seven provincial capitals in Veneto, Northern Italy and it has the second largest population in Triveneto (an area formed by the three regions of Veneto, Trentino – Alto Adige and Friuli – Venezia Giulia).

Verona is visited every year by hundreds of thousands of tourists because of its artistic beauties, several annual fairs, shows and operas, such as the lyrical season in the Arena, the ancient amphitheatre built by the Romans.

Verona owes its historical and economical importance to its geographical location. The ancient town of Verona and the center of the modern era are in a loop of the Adige River near Lake Garda. Because of this position, the areas saw regular floodings until 1956, when the Mori-Torbole tunnel was constructed, providing 500 cubic meters of discharge from the Adige river to Lake Garda when there was danger of flooding. The tunnel reduced the risk of flooding from once every seventy years to once every two centuries. Geographic history of Verona is plains and small mountain areas.

The most well-known monuments in Verona are the Arena and Juliet’s balcony. Inhabitants of Verona are referred to as "Veronese" (Italian: Veronesi or informally Scaligeri).

Verona, or Veronia, was a city of the Euganei, who were obliged to cede it to the Cenomani (550 BC). With the conquest of the Valley of the Po the Veronese territory became Roman (about 300 BC). Verona became a Roman colonia in 89 BC, and then a municipium in 49 BC; Verona had the franchise in 59.

The city derived importance from being at the intersection of many roads. Stilicho defeated Alaric and his Visigoths here in 403. But with the taking of Verona (489 AD) the Gothic domination of Italy began; Theodoric built his palace there, and in Germanic legend the name of Verona is linked with his. This city remained in the power of the Goths all through the Gothic War (535–552), with the exception of a single day in 541, when an Armenian officer effected an entrance. Dissensions which arose among the Byzantine generals in regard to booty enabled the Goths to regain possession. In 552 Valerian vainly endeavoured to gain an entrance, and only the complete overthrow of the Goths brought about its surrender.

In 569 it was taken by Alboin, King of the Lombards, in whose kingdom it was, in a sense, the second city in importance. There Alboin himself was killed by his own wife in 572. The dukes of Treviso often resided there. At Verona Adalgisus, son of Desiderius, in 774 made his last desperate resistance to Charlemagne, who had destroyed the Lombard kingdom. Verona was then the ordinary residence of the kings of Italy, the government of the city becoming hereditary in the family of Count Milo, progenitor of the counts of San Bonifacio. From 880 to 951 the two Berengarii resided there. Otto I ceded to Verona the marquisate dependent on the Duchy of Bavaria.

The splendour of the city in those days, dominated by its forty-eight towers, is described in a Latin ode of which we shall speak later on. The increasing wealth of the burgher families eclipsed the power of the counts, and in 1100 Verona organised itself as a commune. The San Bonifacio could at most hold the office of podestà of the city now and then. Verona, at first undecided, was forced by Vicenza to join the Lombard League. This, however, gave rise to the factions of Guelphs and Ghibellines in Verona. When Ezzelino IV was elected podestà, in 1226, he was able to convert the office into a permanent lordship, and in 1257 he caused the slaughter of 11,000 Paduans on the plain of Verona (Campi di Verona). Upon his death the Great Council elected as podestà Mastino della Scala, and he converted the "signoria" into a family possession, though leaving the burghers a share in the government. Failing to be re-elected podestà in 1262, he effected a coup d'état, and was acclaimed capitano del popolo, with the command of the communal troops. It was not without long internal discord that he succeeded in establishing this new office, to which was attached the function of confirming the podestà. In 1272 Mastino was killed by the faction of the nobles.

The reign of his son Alberto as capitano (1277-1302) was one incessant war against the counts of San Bonifacio, who were aided by the House of Este. Of his sons, Bartolomeo, Alboino and Cangrande I, only the last shared the government (1308); he was great as warrior, prince, and patron of the arts; he protected Dante, Petrarch, and Giotto. By war or treaty he brought under his control the cities of Padua (1328), Treviso (1308) and Vicenza.

Alberto was succeeded by Mastino II (1329-1351) and Alberto, sons of Alboino. Mastino continued his uncle's policy, conquering Brescia in 1332 and carrying his power beyond the Po. He purchased Parma (1335) and Lucca (1339). After the King of France, he was the richest prince of his time. But a powerful league was formed against him in 1337 - Florence, Venice, the Visconti, the Este, and the Gonzaga. After a three years war, the Scaliger dominions were reduced to Verona and Vicenza (Mastino's daughter Regina-Beatrice della Scala married to Barnabò Visconti). Mastino's son Cangrande II (1351–1359) was a cruel, dissolute, and suspicious tyrant; not trusting his own subjects, he surrounded himself with Brandenburg mercenaries. He was killed by his brother Cansignorio (1359-1375), who beautified the city with palaces, provided it with aqueducts and bridges, and founded the state treasury. He also killed his other brother, Paolo Alboino. Fratricide seems to have become a family custom, for Antonio (1375-87), Cansignorio's natural brother, slew his brother Bartolomeo, thereby arousing the indignation of the people, who deserted him when Gian Galeazzo Visconti of Milan made war on him. Having exhausted all his resources, he fled from Verona at midnight (19 October 1387), thus putting an end to the Scaliger domination, which, however, survived in its monuments.

The year 1387 is also the year of the famous Battle of Castagnaro, between Giovanni Ordelaffi, for Verona, and John Hawkwood, for Padua, who was the winner.

Antonio's son Canfrancesco in vain attempted to recover Verona (1390).

Guglielmo (1404), natural son of Cangrande II, was more fortunate; with the support of the people, he drove out the Milanese, but he died ten days after, and Verona then submitted to Venice (1405). The last representatives of the Scaligeri lived at the imperial court and repeatedly attempted to recover Verona by the aid of popular risings.

From 1509 to 1517 the city was in the power of the Emperor Maximilian I.

Verona was occupied by Napoleon in 1797, but on Easter Monday the populace rose and drove out the French. It was then that Napoleon made an end of the Venetian Republic. Verona became Austrian territory when Napoleon signed the Treaty of Campo Formio in October, 1797. The Austrians took control of the city on January 18, 1798. It was taken from Austria by the Treaty of Pressburg in 1805 and became part of Napoleon's Kingdom of Italy, but was returned to Austria following Napoleon's defeat in 1814, when it became part of the Austrian held Kingdom of Lombardy Venetia. In 1866, following the Six Weeks War, Verona, along with the rest of Venetia, became part of Italy.

In 1866, on the anniversary of the defeat of Königrätz, the Austrians evacuated Verona, their strongest fortress in Venetia, which thus became Italian.

The advent of fascism added another dark chapter to the annals of Verona. As throughout Italy, the Jewish population was hit by a wave of anti-semitic propaganda planned since the early thirties and ending with anti-semitic laws (1938) that shut down many businesses and deported many local citizens to Nazi and Italian concentration camps. An Austrian Fort (now a church, the Santuario della Madonna di Lourdes), was used to incarcerate and torture allied troops, Jews and anti-fascist suspects especially after 1943, when Verona became part of the Repubblica di Salò or Social Republic.

As in Austrian times, Verona became of great strategic importance to the regime. Galeazzo Ciano, Mussolini's son in law was accused of plotting against the republic during a mock trial staged by the Nazi and fascist hierarchy in Castelvecchio. Ciano was executed on the banks of the Adige with many other officers on what is today Via Columbo. This marked another turning point in the escalation of violence that would only end with the final liberation by allied troops and partisans in 1945.

Because of the value and importance of its many historical buildings, Verona has been named a UNESCO World Heritage Site. For a list of landmarks in Verona, see Buildings and structures in Verona. Verona preserved with pride many ancient Roman monuments, no longer in use, in the early Middle Ages, but much of this and much of its early medieval edifices were destroyed or heavily damaged by the earthquake of 3 January 1117, which led to a massive Romanesque rebuilding. The Carolingian period Versus de Verona contains an important description of Verona in the early medieval era.

Roman edifices

The Roman military settlement in what is now the center of the city was to expand through the cardi and decumani that intersect at right angles. This structure has been kept to the present day and is clearly visible from the air. Further development has not reshaped the original map. Though the Roman city with its basalt-paved roads is mostly hidden from view it stands virtually intact about 6 m below the surface. Most palazzi and houses have cellars built on Roman artifacts that are unfortunately rarely accessible to visitors. Piazza delle Erbe, near the Roman forum was rebuilt by Cangrande I and Cansignorio della Scala I, lords of Verona, using material (such as marble blocks and statues) from roman spas and villas.

Medieval architecture

The Basilica of San Zeno Maggiore is considered one of the great achievements of Romanesque architecture. The present structure is the 3rd on this site, built from 1123-1135, over the 4th century shrine to Verona's patron saint, St. Zeno (died 380). The splendid façade dominates the large square, and is flanked with a beautiful 72 meter tall bell tower, which is mentioned by Dante in Canto 18 of Purgatory in the Divine Comedy. The weathered Veronese stone gives a warm golden glow and the restrained lines of the pillars, columns, cornices and the gallery with its double windows give the façade an air of harmonious elegance. The huge rose window is decorated as a Wheel of Fortune. The lintels above the portal have carvings of the months of the year. Each side of the doorway is embellished with 18 bas-relief panels of biblical scenes, and the inner bronze door has panels have 48 primitive but forceful Biblical scenes and depictions from the life of St Zeno. The meaning of some of the scenes is now unknown, but the extraordinarily vivid, barbaric energy of the figures is a superb blend of traditional and Ottonian influences. The interior of the church is divided into a Lower Church, occupying about 2/3 of the structure, and the Upper Church, occupying the remainder. The walls are covered with 12th and 14th century frescos and the ceiling of the nave is a magnificent example of a ship's keel ceiling. The vaulted crypt contains the tomb of St. Zeno, the first Bishop of Verona, as well as the tombs of several other saints. North of the church is a pleasant cloister. The church also houses the tomb of King Pippin of Italy (777-810).

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